It was fifty years ago today…

AW in 1961

…that AW died at the home of his old friend, actress Hansi Burg, in Garatshausen, Bavaria, where he had been convalescing from a heart attack he had suffered on stage at the Kleine-Komödie in Munich at the end of March. I have written about this in more detail on previous anniversaries (see here and here.)

It had been my intention to mark this year’s special anniversary with the publication of my biography of the actor, but for various reasons this has not been possible. Hopefully it won’t be too long before the text is complete – watch this space for further news!

The website has been undergoing some behind-the-scenes transformations which have prevented me from uploading any new material in recent weeks, and again, I hope normal service will be resumed very soon. Thank you for continuing to visit the blog.

Anton Artefact #5

‘Mascherata’ (Milan: Edizioni, 1935)
This 64 page pocket-sized booklet is written in Italian and is an early example of a movie novelisation, albeit in miniature. King Kong (1933) was perhaps the first big sound film to be adapted into a novel, but Mascherata sits midway between a book length adaptation and the concise retelling of the story found in various cinema programmes and magazines of the period such as Illustrierter Film-Kurier or Le Film Complet. There are a couple of section breaks in the text but no chapters and the entire narrative is covered in about 8,000 words. These cineromanzos remained popular for many decades, developing into a glossier magazine format in the 1950s and 1960s, although as a genre they have received scant critical attention.

Anton Artefact #4

AW as Duke Alfonso II of Ferrara (1533-97), patron of the poet Torquato Tasso, from a theatre programme for a performance of Goethe’s Torquato Tasso ​at the Sächsische Staatstheater, Dresden, in February 1930.

Moira Shearer (1926-2006)

AW and MS in ‘The Red Shoes’ (1948)
Moira Shearer died on this day, eleven years ago. After The Red Shoes she went on to appear in other film roles: as Olympia in The Tales Of Hoffmann (Powell and Pressburger, 1950), Paula Woodward in The Story Of Three Loves (Minnelli/Reinhardt, 1952), multiple parts in The Man Who Loved Redheads (French, 1955), Vivian in Peeping Tom (Powell, 1960) and Roxanne in Black Tights. Most of these roles showcased her dancing talents.
She worked with AW again – on the stage this time – in Walter Hasenclever’s play Man of Distinction, which opened at the Lyceum Theatre in Edinburgh during the 1957 Festival, before moving south for a three weeks of performances in what was the termed ‘the provinces’ (including Leeds, Manchester and Blackpool) before showing at at the Princes Theatre, London. Set in Berlin in the 1920s, Hasenclever’s comedy Ein besserer Herr was written in Paris and Nice in the summer of 1926 and mocks the hypocrisies, materialism and delusions of the Weimar republic. Hugo Mobius is a fraudster who specialises in conning wealthy ladies into marriage, a scheme that founders when he finds himself genuinely falling in love. Prunella Scales played the part of Aline, next to Walbrook’s Hugo Mobius, while Moira Shearer played the part of Lia Compass.

AW and MS in ‘Man of Distinction’ (1957)