This week’s cdv is a rather charming portrait of a young lady reading a letter. Her natural pose and slight smile make a pleasant change to the forced artifices found in many portraits, where the sitters appear uncomfortable, are grimacing rigidly, or else are engaged in some pretence such as rowing a boat inside the studio. All portraiture, of course, involves an element of performance, and this was even more the case during the early years of photography. However, a cdv portrait like this could almost be imagined as a candid shot in the corner of someone’s living room. Was this letter a studio prop, or did the girl bring it along with her? Does it have personal significance – a letter from a distant relative, friend or lover? Perhaps the carte-de-visite was made for the person who wrote the letter, and would be posted back to them as an affectionate sign that his/her correspondence was both received and valued.
The reverse of the card identifies the photographer as Robert L. Graham, operating from his studio at the Top end of the Parade (No.6), Leamington, Warwickshire. It probably dates to the 1890s: Graham opened his studio at 7a Upper Parade in 1873, later moving to York Terrace and then to No. 6 Parade, expanding into the next door premises (No.8) as his business flourished.