AW died on 9 August 1967 at the home of his old friend Hansi Burg, where he was convalescing after a heart attack suffered on stage some four months earlier. Although the play, Noel Coward’s Duett im Zwielicht (Song at Twilight) was then running at the Kleine-Komödie in Munich, it had actually opened in December 1966 at the Renaissance-Theater in Berlin, so today I am posting a couple of photographs from the original theatre programme and some contemporary press cuttings.
This caricature shows the three lead actors – AW (Sir Noel Latymer, a famous writer nearing the end of his life), Heli Finkenzeller (Hilde Latymer, his wife) and Friedel Schuster (Carlotta Gray, a former lover.) The play was first produced in London in April 1966, with AW’s roles performed by Noel Coward himself, and Hilde and Carlotta played by Irene Worth and Lilli Palmer respectively. The play had been translated into German by Martin Dongen and was directed by Viktor de Kowa – who had co-starred with AW and Hansi Burg’s father, Eugen Burg, in Der Stolz der 3 Kompanie (Fred Sauer, 1932.)
Among the press-cuttings I have reviewing the opening night of Duett im Zwielicht at the Renaissance Theater is a favourable one by Dora Fehling in Der Telegraf , who was impressed by AW’s ability to elicit sympathy for Latymer’s unattractive character: a difficult task, she admitted, but on in which the actor succeeded. Heinz Ritter went further, describing AW’s distinguished appearance in his green smoking jacket, and praising his ability to soften Latymer’s abrasive nature with an air of Schnitzler-like resignation, making the character understandable to the audience and providing him with a poignant sense of tragedy. Ilse Urbach was less impressed by AW’s performance, however, finding too much of the grand old silent-film star about him. Perhaps she would have been kinder had she realised that this grand old man had only a few months left to live. May he rest in peace.